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A veritable mountain of information about Legacy of Kain game Dead Sun, cancelled by Square Enix allegedly last year, was dug up and posted on NeoGAF by an incredibly determined digger known as Mama Robotnik.


Most notably the leak revealed that Dead Sun had been in development for three years at Climax Studios (single-player) and Psyonix (multiplayer), but was scrapped in 2012. Screenshots, a video, concept art, game design - heaps of information was unearthed. And it caught Square Enix's eye.
Community manager George Kelion took to the thread to confirm Mama Robotnik's detective work.


"I can confirm that Dead Sun was a project which had been in development - but which was cancelled," he wrote.

"I know it's disappointing to hear about these things out of context, and whilst some of the details released are accurate - some details are not. You know game projects can be cancelled for a variety of different reasons and I know it's very hard to tell from images and info alone, but in the end LOK: Dead Sun just wasn't the right game, at the right time... but you'll have to take me at my word on that, I'm afraid."


Kelion ended his post by releasing a bit of concept art for the cancelled game.


Dead Sun was in development for PC, PS3 and Xbox 360 and apparently also PS4, as a launch title - it's not clear if an Xbox One version was intended. Dead Sun was built on Unreal Engine 3

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Valve's digital download service Steam may soon allow users to share their game library with friends.

The feature is very similar to Microsoft's plans for Xbox One - namely, that users will be able to share their game library with up to 10 "family members" (which don't actually have to be members of your family).


Will Sony also implement the feature?
Code spotted in the latest Steam client beta suggests that the feature is on the way for PC gamers, Kotaku spotted.

References are made to a "Shared game library", with dialogue prompts for its use.

Like Xbox One, it appears multiple users won't be able to play the same game at the same time.

"Just so you know, your games are currently in use by %borrower%. Playing now will send %borrower% a notice that it's time to quit," a line of code for one dialogue prompt states.

"This shared game is currently unavailable. Please try again later or buy this game for your own library," another describes.

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The report also found that adult women (31 percent) represent a "significantly" greater portion of the gamer population that boys 17 and younger (19 percent). In addition, according to the group's findings, women are 46 percent of the time the most frequent game purchasers.

The report also highlighted trends regarding how closely parents monitor what their children purchase. According to the findings, parents are present when games are purchased 89 percent of the time, while children receive parents' permission to purchase or rent a game 80 percent of the time.

Overall, 52 percent of parents believe video games are a positive part of their child's life.

Other notable findings from the Essential Facts report include 58 percent of all Americans describing themselves are gamers in one way or another. In addition, 51 percent of all United States households own a dedicated game console; and those that do, own an average of two.

The full report is available at the ESA website.

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Final Fantasy XV(Previously known as Final Fantasy Versus XIII) is the next game in the popular Final Fantasy franchise, which has sold about 100+ million units(as of 2011). This new saga in the Final Fantasy franchise is being created under the direction of Tetsuya Nomura, the creator/director of Kingdom Hearts series and TWEWY*. The story is being penned by Kazushige Nojima(Final Fantasy VII, Advent Children, VIII, X, X-2, Kingdom Hearts and Crisis Core) and music composed by Yoko Shimumora(Parasite Eve, Kingdom Hearts, Xenoblade Chronicles and Street Fighter 2).

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Noctis Lucis Caelum (Tatsuhisa Suzuki)
Prince of the Lucis Kingdom, possessing eyes which can sense the death of others. His close friends call him Noct.

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Gladiolus Amicitia (Kenta Miyake)
The eldest son of a household tasked with protecting the royal family from generation to generation. A close friend of Noctis who is closer to him than a true brother.

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Ignis Scientia (Mamoru Miyano)
A childhood friend of Noctis who grew up recieving gifted education befitting a staff officer. He understands Noctis well and is his confidant.

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Prompto Argentum (Tetsuya Kakihara)
A friend who has been a bad influence to Noctis since his school days. While he can get carried away easily, there's another side of him which is driven to help friends in need.

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Cor Rionis (Hiroki Touchi)
Head of Royal Family Guards, and one of the three strongest fighters in Lucis. While he is harsh to Noctis and the others, he is a true man of honor who takes his vows to king and country very seriously.

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Stella Nox Fleuret

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Final Fantasy XV Gameplay Analysis [GIF Heavy] - NeoGAF

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Lucis:
The Kingdom of Lucis is ruled by Regis Lucis Caelum. A nation said to keep the last known existing crystal in the world of Final Fantasy XV, it is described as a nation both highly advanced and developed, and culturally intact, with tradition vibrant and still alive with the "songs of swords and sorcery".
The city is a sprawling metropolis, inspired by modern-day cities like Tokyo and New York, and as such, is populated by skyscrapers and highways.
Lucis, "of the light" or "belonging to the night", is the genitive form of the Latin Lux, "Light".

Tenebrae:
The kingdom of Tenebrae is home to Noctis' childhood friend Stella. Little is known about it at this time, though there is a legend in Tenebrae which states that those who can see the "light" will obtain special powers.
"Tenebrae" is Latin for "darkness" or "shadows".


Niflheim:
Led by Idola Eldercapt, Niflheim is an opposing kingdom in this game. They are shown to have invaded Lucis during the peace treaty signing party, which would have settled the dispute over the last crystal. They have also waged war on other kingdoms like Accordo, Solheim and Tenebrae.


Solheim:
A kingdom under attack by Niflheim. No other information is available yet.


Accordo:
A beautiful and picturesque city that comes under attack by Niflheim forces. The latest trailer shows a giant sea serpent (Leviathan?) demolishing the city, while Noctis is seen jumping from roof to roof trying to battle these forces.

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- Nomura says the final line in the FFXV trailer is not part of the game's story, it was just added as a gag for the name change reveal. (This is the line about the "fifteenth coming".)

- He acknowledge that the "A world of the VERSUS epic" tagline at the end of the trailer specifically refers to the possibility of turning the setting into a series of its own. He says the story in FFXV will reach a climax, but it is like the conclusion of a single part of a larger epic (poem). There will be room for more stories to be told.

- He is aware that for large scale console development projects, there might be a need to keep people interested in the long term with online elements rather than just offer a short term single player experience. There are no concrete plans as of yet but he's looking at all possibilities to see what fits.

- There will be more of FFXV shown from now onwards, especially at big events like TGS.

- For FFXV and KH3, they're currently looking into using Luminous Studio as the main engine. By developing on an Overspec (PC environment I presume), it makes porting the same content to both PS4 and Xbox One easier.

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"I'll finish it later"

The road to game neglect is paved with good intentions. Who among us hasn't sunk hours into a meaty adventure only to toss it aside on the promise that one day--we swear, one day--we'll come back to finish what we started? For better or worse, the non-stop avalanche of new releases and time-consuming titles (Skyrim, we're looking at you) make it tough to keep our oaths. As a result, somewhere there exists a virtual waiting room with mid-level warriors, almost-saved planets, and damsels (still) in distress who pine for a hero who will never return.

Why it's ok: Burnout can happen to the best of us. Even the greatest heroes can wear out their welcome, and the allure of something new is hard to resist. What's more, it's tough to pick up an old game after that initial momentum has stalled out. We forget our old tricks, who we're suppose to care about, and what we were in the middle of doing a year ago when were really into it. No doubt, we mean it when we say we'll come back to finish a game. But then, if we're only doing it out of obligation, what's the point?

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"I'll stop after the next save"

We've all been there: At the peak of a critical battle, one boss away from a new power-up, or three legendary MacGuffins from an epic set of armor. The problem is real world obligations overlap with our gaming objectives, and so we promise ourselves and loved ones that we'll quit right after we get a chance to save. And then that save point comes and--lo and behold--there's an even bigger battle, a badder boss, and an even shinier set of armor that requires our immediate attention. Suddenly, that “few extra minutes!” has turned into an hour, and that loved one is threatening to spend the night at her friend's house.

Why it's ok: What our bosses, partners, family, and teachers don't understand is that (in the moment) our bonds to a game can feel just as unbreakable as our ties to real world responsibilities. In any case, how many times have we had to sit through “one more Dancing with the Stars” or stay late at the office for “one more meeting”. Truth is, everyone has something they'll gladly sacrifice time for at the expense of others, so why should gaming be any different?

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"I'll never support DLC"

$5.99 for a C-list character? No thanks. $3.99 for a re-skinned gun? Move along. And $9.99 for a half-assed minigame expansion? We're not biting.... or are we? Now that nearly every new release is gunning for our digital wallets, there are always those who swear they'll never shell out extra coin for content that arguably should've been included in the boxed copy. We talk a good game, but do we stick to our guns? The fact DLC has become standard practice indicates otherwise. Indeed, even the most strident anti-DLC warriors eventually break down and buy DLC for games they love on the lie they'll really, really stick to their guns the next time around.

Why it's ok: It's your money. Do what you want. Some people buy fancy hats, some drink overpriced coffees, and others waste cash on cigarettes. So who's to judge? The value of DLC is in the eye of the beholder, and that proposition boils down to how much you've enjoyed a game and how much more you're willing to pay to spend more time within it. It's ok to break this promise because our feelings about added content can change dramatically in relation to how much we love and/or hate the game on the receiving end.

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"I won't buy it on launch"

Just as overpriced DLC has trained us to be wary of micro-transactions, so too have game-killing bugs and glitches taught us to resist launch day purchases. After all, not a month goes by without a horror story about server mess-ups (SimCity) or online errors (Diablo III). As a result, many of us make an internal pact to wait at least a week or so to avoid feeling the sting of a botched launch. That is until launch day actually comes and we skip out of work to nab it early like everyone else.

Why it's ok: Buying a game at launch is wired into our DNA. Many of us were raised in an era where developers had no other choice but to release a game that worked 100%, so the idea that buying a game and not having it function as advertised was, and still is, hard to swallow. Then, the age of patches and updates came along, giving studios the wiggle room to release broken products. Now, even though we know better, we still can't shake the allure of being one of the first to play the next big thing (even if that means having to wait for the “next big patch” to play it).

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"I'll never use a walkthrough"

Gamers can be a prideful bunch and, as such, some of us will sign a pact in blood to never use an online walkthrough no matter how mind-numbingly difficult their game becomes. It's an admirable oath, but rarely is it ever upheld. At one point or another, we always get to a point where “one hint won't hurt”. Soon after that first hit of online clarity, however, and we're playing the rest of the campaign with all our favorite walkthroughs and YouTube tutorials at the ready. But hey, at least we're not bankrupting our parents by calling those Nintendo tip lines anymore.

Why it's ok: Some titles were designed to sell game guides and others are weighed down by insanely obscure problems that--let's be honest--aren't worth your time. After all, what's the value in spending a full week combing through 14 miles of a make believe city for that last Magic Squirrel, when you could be letting other internetters do the work for you?. Besides, today's games are meant to encourage community interaction. Not stealing solutions and tips from other players would be the real travesty.

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"I won't buy the next Call of Madden: Assassin's Battlefield 13"

There will always be franchises that release a sequel every year, and there will always be fans who swear--once and for all--that they're going to stop supporting this at-times sloppy, profit-driven practice. It's a noble ambition, but judging by the continued successes of series like Call of Duty, Assassin's Creed and [insert EA Sports property], it's safe to say that not too many are following through on their threats.

Why it's ok: Some take the concept of “game annualization” to imply that studios are coding new sequels from scratch after new release in a bid to add even more coins to their pools of gold. In actuality, once a series has gained enough traction, studios will often plan a string of sequels in advance and assign various divisions to handle their development. As such, sequels like Assassin's Creed IV: Black Flag or Call of Duty: Ghosts, which appear to pop up out of nowhere, are actually games that have been cooking for a while and are just now getting their turn in the spotlight.

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"I won't peek in splitscreen multiplayer"

Today's gamers may not have to face this moral dilemma much anymore, but before the age of online play or even LAN connections, the only way to challenge your friends to a game of, say, Goldeneye slappers, was to gather around one TV and promise your rivals you won't cheat by looking at their screen. What's that, you say? You never looked? Congratulations, you're a dirty liar. Local co-op matches were all about sneaking a peak at your opponent's position and “pretending” to stumble across them with a grenade launcher. It didn't matter if it was Mario Kart, Perfect Dark, or Halo—roughly 99.9% of gamers who played splitscreen multiplayer have broken this promise. And the others? They lost.

Why it's ok: You want to win, right? We don't condone breaking promises to friends, but games are won and lost by knowing your opponents moves. It's only natural that you would use all the information available to you. Plus, it's next to impossible not to have some idea of where your targets are when their avatar is setting up their “super secret” camping spot just millimeters away from your corner of the screen.

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"I won't be a Trophy/Achievement whore"

Ah, the allure of the “bloop” and “ding”. Since their arrival, PSN Trophies and Xbox Live Achievements have changed gaming on a psychological level. And while we swear up and down that our playing style won't be affected by the urge to boost our e-scores and trophy counts, we've all let our Trophy/Achievement whoring ways lead us astray at one point or another.
Why it's ok: In the hands of the right developers, Trophies/Achievements can actually inspire us to do things we never thought of doing or tackle challenges we didn't even know existed. Also, stringing gamers along with meaningful rewards in games is a tactic that developers used for years before Gamerscore came along. And let's be fair--if someone gets their kicks from building scores with no real life value, what's the harm in that?

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"I won't get caught up in the console war"

Every six or seven years, the gaming scene becomes a battleground between fans who support the upcoming console X, those who vehemently stand behind console Y, and the odd ones who are still blindly supporting console Z. Without fail, we promise ourselves we won't get caught up in this commercially manufactured rivalry, but we always choose sides in the end and cling to our champion under the insane premise that massive corporations need us to fight their battles.

Why it's ok: Jocks have their favorite sports team, hipsters have beloved-yet-crappy bands, and movie buffs have their most valued, obscure director. Being passionate about a hobby means you're eventually going to have a preference and an urge to defend it, even if you know that doing so makes you kind of annoying in social situations. At the end of the day, the console wars are fun to get wrapped up in because it gives us something to rally for and a battle we can fight.

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"I'll never play games on my iWhatever"

The growth of “app gaming” has created a divide among gamers. On one side, there are players who are open to giving iOS and Android games a shot. On the other, there are a vocal group of purists who swear to themselves they'll never accept games on their smartphone or tablet on the grounds that they're cheap and brainless alternatives to the real thing. Inevitably, however, the latter will come across a game on iOS or Android that defies their expectations and, inevitably, they'll kind of like it.

Why it's ok: Because you're wrong. The best video games may still outperform the best mobile apps, but that gap is shrinking with every new release. The app stores are teeming with creative ideas from innovative developers, and games like Horn, Infinity Blade, Ridiculous Fishing--and yes, even Angry Birds--can be just as gratifying to play as many console title. It's okay to lift your embargo on app games because they're evolving at a rapid pace. That, and you'll have way more fun being less of a snob.

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